Eiteljorg Museum Receives Significant Donation of Katsina Carvings


Indianapolis, Indiana (PRWEB) May 08, 2012

The Eiteljorg Museum of American Indians and Western Art has received a significant collection of Hopi katsina carvings. The collection of 110 objects, regarded as one of the finest private collections in the country, will be donated to the museum by R. Terrance and Rebecca Rader of Troy, Mich. The collection has been valued at $ 1 million. The museum has opened the exhibit, Compositions in Cottonwood: The Rader Collection of Hopi Katsina Carvings, a show of selected works donated to the museum.

?Through programs like Quest for the West

Turquoise Jewelrynot Just From Native Americans

Turquoise jewelrynot just from Native Americans

Ever since my stay in New Mexico years ago, I have developed a like for turquoise jewelry. Turquoise is a hydrous phosphate of copper that is honestly soft, with the toughest specimens reaching only 6 on the Mohs scale. Despite its softness, turquoise takes a very excellent polish.

Most consider this bluish spidery gemstone to be a very distinctively American gemstone and turquoise jewelry can certainly be found in desert towns, craft fairs and even in airport gift shops. But while it is mined in Arizona, New Mexico, Colorado and Nevada, and has a very long history in native American jewelry, turquoise jewelry really can be found in cultures worldwide. In fact, turquoise is one of the oldest gemstone materials known to man. For thousands of years, turquois and turquois jewelry has been an vital staple in many eastern cultures.

Turquoise was first brought to Europe by traders from Asia Minor, even though the turquoise probably came from well-known turquoise mines in Iran or Egypt. The color of turquoise that is found on turquoise jewelry is so unique that this has become the standard word we use to describe the slightly greenish shade of cyan and similar colors.

The world’s finest turquoise can be found in the mines at Nishapur in Iran. This turquoise became a major trade and barter item for the early Persians. That how far back this gem goes. Turquoise jewelry was found in ancient graves in Turkistan and, in the 1st to 3rd century A.D., in graves throughout the Caucasus. The name “Persian Turquoise” is now generally used to refer to any turquoise stone that does not have the black or brown veining commonly found in turquoise mined in the United States.

The type with veining is the style of turquoise jewelry made by the American Indians, and its the type of turquoise jewelry that I find myself most drawn to.

Like many precious gemstones, the demand for high quality turquoise exceeds the supply in nearly all cases This has led to the development of treatment methods to improve the color and durability of lower cost material. Softer and more porous turquoise can be enhanced by impregnating the stone under pressure with hot acrylic resins. The resins improve the color, hardness, and durability of the material. As long as the materials are represented as treated, this is regarded as an acceptable practice in the gemstone industry.

If you are seeking quality turquoise jewelry, one of the best sources for jewelry Ive found online is Eagle National Mint. Start your shopping there.

Robert Rauschenberg Foundation Announces Recipients for the Inaugural Round of Its Artistic Innovation and Collaboration Grant Program


New York, NY (PRWEB) February 03, 2012

The Robert Rauschenberg Foundation is pleased to announce the recipients of its new Artistic Innovation and Collaboration grant program (AIC) to advance the values promoted by artist and activist Robert Rauschenberg during his lifetime and career. The AIC grant program is the first national competitive grant program for the Foundation. It propels the organization?s philanthropic mission of cultivating, promoting, encouraging and supporting the production and exhibition of art.

?This grant program is rooted in the defining characteristics of Bob?s legacy ? fearlessness, innovative practice, cross-disciplinary exploration and collaboration among artists ? and supports new work in a time when funding artistic experimentation is receding. We are delighted to be able to support projects that are pushing the boundaries of artistic practice and helping artists and cultural organizations investigate new territory,? said Christy MacLear, Executive Director of the Foundation.

In 2011, the Robert Rauschenberg Foundation invited 65 arts organizations across the country to apply for the inaugural grant cycle. After a competitive application process, nine grants, totaling $ 800,000 were awarded to a diverse group of innovative projects.

List of Artistic Innovation and Collaboration Program grantees 2012:

Ballroom Marfa, Marfa, TX

http://ballroommarfa.org

To support “Carbon 13″, a multi-disciplinary artistic investigation of issues related to climate change. Artist and project director David Buckland will work with participating artists Heather Ackroyd, Amy Balkin, Erika Blumenfeld, Antony Gormley, Dan Harvey and

Cynthia Hopkins on developing new works, and these works will be presented in an exhibition in conjunction with public programs as part of The Marfa Dialogues.

Bemis Center for Contemporary Arts, Omaha, NE

http://www.bemiscenter.org

To support “Town Hall,” a project to design and develop a new cultural space and a residency program for local artists in North Omaha, the poorest community in the city. The project will be led by artist Theaster Gates and the Bemis Center and engage local artists and community members in strengthening North Omaha as a creative place.

The Drawing Center, New York, NY

http://www.drawingcenter.org

To support the commission of three new multi-disciplinary works that illuminate links between drawing and the performing arts. The works will be showcased as part of the Center?s Performance Series and staged in its newly renovated galleries. Artists include Susan Hefuna, Luca Veggetti and Morphoses; Rashaad Newsome; and Suzanne Lacy and Andrea Bowers.

Heart of Los Angeles (HOLA), Los Angeles, CA

http://heartofla.org

To support the launch of HOLA?s Public Art Project, a collaboration between HOLA and Otis College of Art and Design in which HOLA teaching artists Claudio Stickar, Gary Garay, Pearl C. Hsing and Patricia Yossen will work with other leading Los Angeles artists to engage youth in plotting, making and installing permanent installations in HOLA?s Lafayette Park neighborhood.

Machine Project, Los Angeles, CA

http://machineproject.com

To support Machine Project?s first large-scale project in public spaces. Conceptual works will be made by collaborative teams of artists, filmmakers, sound engineers, floral sculptors and others, which will be installed in unexpected public sites. Participating artists include

Kelli Cain, Brian Crabtree, Juliana Snapper and Holly Vesecky.

Mary Miss/City as Living Laboratory, New York, NY

http://www.marymiss.com

To support the City as a Living Laboratory?s project, BROADWAY: 1,000 STEPS, which will establish Broadway as a green corridor for New York. Working with artists, scientists, urban planners and others, the project will establish 20 Hubs along Broadway, each of which will use visual art, text and cell technology to help passersby explore themes in PlaNYC ? air, water, waste, energy and land.

North Dakota Museum of Art, Grand Forks, ND

http://www.ndmoa.com

To support the commissioning of artists Rena Effendi, John Hitchcock, Terry Jelsing, Bill Harbort, Mary Lucier and Tim Schouten to make work exploring life on North Dakota?s mixed race, multi-cultural Spirit Lake Nation of the Dakota (Sioux) people. The project brings together artists from various disciplines and backgrounds, including Native Americans, to make work with and about a community that has minimal contact with contemporary artists.

Space One Eleven, Birmingham, AL

http://spaceoneeleven.org

To support plotting for (re)Moving Walls, a collaborative, multi-media project in which Birmingham-based artists will travel around the country and engage local artists in exploring barriers their communities face, such as economic disparities, race relations, and environmental degradation. The vehicle that the artists travel in will become the collectively made work, contributed to by artists along the way before returning to Birmingham.

STREB, Brooklyn, NY

http://www.streb.org

To support “ESSENTIALIST ACTS,” a multi-stage, multi-disciplinary artistic exploration of action, in which artist Elizabeth Streb will collaborate with Robert Woodruff, David Van Tieghem and Erik Pearson as well as members of the STREB company, to make large-scale works, including major public presentations in London as part of the London 2012 Festival of the London 2012 Cultural Olympiad.

About the Artistic Innovation and Collaboration Program:

The goal of the Artistic Innovation and Collaboration Program is to provide support for innovative projects in which a visual artist collaborates with one or more artists in any discipline to make a new work, advance a multi-stage artistic exploration or push forward a new artistic form, all in the spirit of Robert Rauschenberg. Grantees will be small and mid-sized cultural organizations with a strong track record of creative risk-taking, experimentation and identifying emergent talent, for whom the Foundation?s grant will be significant in enabling them to achieve their artistic goals and leverage other resources.

Grants are generally in the range of $ 50,000 to $ 150,000. This amount can be given over a period of one to three years. These creative initiatives may open the doors to new thoughts that many people might not know now but which will become increasingly relevant in the future.

About the Robert Rauschenberg Foundation (RRF)

RRF was formed by Robert Rauschenberg in 1990 to promote awareness of the causes and groups close to his heart. Activities of the Foundation include managing the artwork, exhibition and scholarship of Robert Rauschenberg as well as the growth of the philanthropy programs which intersect art and issues central to Robert Rauschenberg?s concerns during his lifetime. The Robert Rauschenberg Foundation?s programs now include the new grant program for artistic innovation and collaboration and direct help for the advancement of art. The Foundation?s Vision, Mission and Strategy are coordinated to promote the founder?s values and ensure that all endeavors express the essence of Robert Rauschenberg?s philosophy. http://www.rauschenbergfoundation.org

Artistic Innovation and Collaboration Program Grants 2013:

Proposals to the AIC program are made on an invitational basis, based on nominations by distinguished leaders in the field. Cultural organizations with annual budgets under $ 5 million that wish to be considered may send a brief statement (not more than one page) describing their overall artistic program and a project they believe to be in keeping with the goals of the AIC program.

Submissions should be addressed to: grants(at)rauschenbergfoundation(dot)org

Robert Rauschenberg Foundation

381 Lafayette Street

New York, NY 10003-7022

Press Contact: Christa Carr email: ccarr(at)rauschenbergfoundation(dot)org.

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Orange County Schools’ Native American Program

Article by Stacy Andell

Orange County Schools have taken an active role in the developing quality programs for all their members of their diverse student population. One program that has been developed is aimed at aiding student performance and improving instructional opportunities for students of Native American heritage. In order to better achieve these aims the Orange County School’s Native American Parent Advisory Committee was made. The Native American Parent Advisory Committee acts under Title VII federal guidelines. It is composed of eight members; six elected members and two non-elected positions. The elected positions of President, Vice President, Treasurer, Secretary, Teacher Representative, and Student Representative are elected at the beginning of each school year and a nominated by parents of Orange County Schools. The non-elected positions currently are Chris Eslick Coordinator, Title VII-Native American Program and Oryden Gould, Title VII Community Liaison/Secretary, who is of Cherokee decent. The program is intended to support Native American students in attaining high marks in reading, language arts, and mathematics. It meets this goal: by providing services in helping Native American students to meet Orange County Schools’ performance standards; by ensuring that Native American students partake in their school’s Federal, State and local programs as considered necessary; by providing recruitment activities and family liaison services to meet the culturally related academic needs of Native American students; and by providing professional development opportunities to ensure that staff are properly trained and prepared to do work with Native American students.

Native American Parent Advisory Committee’s Senior Recognition Night

Every year the Native American Parent Advisory Committee recognizes graduating seniors from Orange County Schools. The event includes refreshments, speakers, donations, community sponsorship and a Native American dance demonstration. A new sponsor for this year’s program is the L.A. Dodgers baseball team. Senior Recognition Night honors those students of Native American heritage who have worked to excel in academic achievement within Orange County Schools. Senior Recognition Night is also a way for the Native American Parent Advisory Committee to recognize the families of these students and connect to the community.

Orange County Schools Connect to the Native American Community.

Orange County Schools actively encourage connection with the Native American community. There are several opportunities for those interested in the Native American community in the area. One event is The Children Of Many Colors Powwow held every July. This event lasts three days and is sponsored by Redbird. Redbird is non-profit Native American charitable group. It strives to aid in education of Native Americans and improve the quality of life in the whole community. Redbird started through a series of exhibits titled “Spirits In The Material World – Native Americans Today” which was shown at over 100 locations throughout Southern California, and which was also exhibited in the state of Ohio in 1995. Another area event is the Annual Indian Honest that celebrates Native American culture. The Annual Indian Honest is held every June at the Museum of Man in San Diego.

Stacy Andell is a staff writer for Schools K-12, providing free, in-depth reports on all U.S. K-12 schools. For more on Orange County schools visit http://www.schoolsk-12.com/California/Orange-County/index.html










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